currently researching african animation :
interested in compiling a database of practitioners in various sub-saharan countries :
welcome any postings from practitioners
SquidMag is a website that offers a great selection of news on animation, games and comics from the continent. In their own words they aim to be.... the go-to resource to find the best works of art across comics,video gamesandanimationand to start conversations about the geekdom we love so much.
Squid Mag was started by Kofi Sydney Asare and KaDi Yao Tay in 2015. The Squid Mag team comprises Cassandra Mark, Kevin Sampong, Kiyindou Yamakasi, Dela Attikesse, Fafa and Elom MacAuley and Elizabeth Temitayo Johnson.
We are on a mission to alter the African narrative through channels atypically associated with Africa.
Ghanian animator Bertil is making some waves producing short animations and music videos...
As reviewed on SquidMag his animation Chaskele
Chaskele, the animation, however, was more. It was a movement, a call to arms for the nerds who loved the game, for nostalgic old souls and people who loved “cartoons” and animation even more. Chaskele, the film, was a welcome re-imagination of an otherwise straightforward game that added subtle complexities such as some awesome Adinkra symbologies within a very modern context.
This year's FESPACO saw the addition of a 5-day animation workshop program that included mentoring, training and pitching as its themes. Amongst the attendees was Mohamed Ghazala, the Egyptian animation and new vice-president of ASIFA, Cilia Sawadogo, the Burkinabe animator based at Concordia, the Senegalese filmmaker Moussa Moise Toure who established the first animation school in Dakar, and enthusiastic animators from Burkina Faso, Ghana, Mali, Nigeria, Benin, Cote d'Ivoire, Tunisia and Madagascar.
The winning prize was awarded to Comfort Arthur from Ghana, known for her animation 'Black Barbie' (2016).
Africa in Motion film festival in Edinburgh has grown to become a key event in the calendar for African film and animation enthusiasts. This year their animation program Afri-Adventure includes a line up of short animations from across the continent. For those in Edinburgh on Sat 3rd November (1pm) and Glasgow (2pm) make your way to watch some animated fun!
Upcoming Event: As part of the AHRC funded E-Voices Network, PAWA245 in Nairobi will be hosting an experimental Animation Workshop with award-winning Ng'endo Mukii with a focus on voices from marginalised communities.
The AHRC Network e-Voices: Redressing Marginality brings together a global network of academics and practitioners to explore the theme of marginalisation, and how digital media can be used by marginalised groups to make their voices heard, within and beyond the borders of their communities promoting social inclusion. In particular, the network is going to explore three case studies: how favela residents in Brazil are using digital media to foster community engagement and active citizenship; how Kenyan artists are using digital tools to promote a dialogue around human rights and power structures; and how development organisations working with displaced populations in Syria are using digital technologies to foster peace and reconciliation in the country.
As part of the project, award winning Kenyan animator, Ng'endo Mukii will be running a four-day workshop to create an animated Portrait of the recently killed Brazilian activist, Marielle Franco. The workshop will invite artists to engage with collections of visual material from Brazil to reflect upon marginalised voices. The artists will utilise a range of techniques and materials that include digital and non-digital modes of experimental animation.
Here is an example of an experimental animation created with Ng'endo Mukii and the Olands Folkhogskola in Sweden.
Watch Salim Busuru illustrator from Kenya talk about the beginning of Avandu Studio and his motivation to tell African stories as he engages with aesthetic and notions of authenticity. A great interview on Vimeo from the project AfriDesignX. AfriDesignX is a V&A and UaL project that set out to investigate ' new design typologies and visual strategies from African megacities'.
This year's Digital Lab Africa winners have been announced following online votes for a series of pitches ranging from games to animation from a variety of different African countries this initiative is definitely something to look out for.
Digital Lab Africa: the reference platform for next-gen content
Digital Lab Africa (DLA) is the 1st platform dedicated to creative content (web creation, virtual reality, video game, animation, digital music) linked with innovation in Africa (francophone & anglophone). The very idea of DLA is to incubate emerging creative talent by offering them a springboard to jump-start and accelerate their projects with the support and expertise of DLA partners & ecosystem (studios, event, producers, broadcasters, distributors, experts…)
The winners from the pitch competition were announced today
• ANIMATION Dimbit by Feben Elias (ETHIOPIA) See pitch below: Nwavu, the Blind Manby João Graça (MOZAMBIQUE)
CartoonBrew's article on animation in Ghana is a rare glimpse at animation from the continent. Highlighting the studio Parables Animation Studios, the article introduces Ghanian artists, Cycil Jones Abban and Francis Yushau Brown from AnimaxFYB Studios, and asks them about their ambitions for animation in Ghana.
Great to see Nigerian animator Shof Coker receiving the award for documentary Liyana (which he animated for), directed by Aaron and Amanda Copp. Well done everyone!
Sitraka Randriamahlay has shown work at various international animation festivals. You can view his animations on his Vimeo channel here.
The animation below is Hazalambo(2013)
And Rough Life (2015) that was shown at the Rencontres du Film Court de Madagascar
For more information about the Malagasy cinema and the culture of filmmaking see the Artists on Africa interview with Laza the festival director.
Another great contribution from the Africa in Motion team this year, with special screenings for animation from the continent, showing in Glasgow and Edinburgh. You can read all about this years selection of films and animations and an exhibition, African Film: Looking Back Through the Lens, which is definitely worth a visit!
Advertised as follows on the AIM website for Thursday the 2nd November at 6.30 at Woodland Creatures, 260-262, Leith Walk, Edinburgh EH6 5EL
AfriCA Animated
This evening will bring you a selection of African animations from Egypt, Burkina Faso, Zimbabwe, Ghana, Martinique, Nigeria and South Africa. Animation has the extraordinary power to bring to life oral storytelling. The films cover a spectrum of stories, including hilarious propaganda, heroines of the past, mythical creatures, political and emotional issues such as LGBT identity, colourism, domestic abuse, and an annoying mosquito that just won’t buzz off. Each film showcases different styles and techniques such as stop-motion, 3D and hand-drawn animation. Some rarely-seen gems from as early as 1940 are also included in the context of our Africa’s Lost Classics project, to show that animation has a beautiful and long history on the African continent.
Another great little find, SQUIDMAG is a blog on African animation, comics and games. With some great posts about events happening on the continent - such as screenings for Afro/Animation in Accra, Ghana, or Comics at the Literary Festival in Accra.
On the 4th November the Animate Africa will be running a StoryLab webinar 'How to Bring a TV Series to Market' in collaboration with Triggerfish (South Africa) and a host of speakers including:
Malenga Mulendema, Creator of Mama K's Super 4 Wanuru Kahiu, Kenyan award winning Writer and Filmmaker (Pumzi) Babalwa Baartman, Co-founder/Producer at Sanusi Chronicles Thulani Simantov, Animator and Co-founder/Art Director of Sanusi Chronicles Kelly Dillon, Animator and Co-creator, Ninja Princess The event is promoted on ANIMATE AFRICA as follows,
If you have ever thought about bringing your own characters to life as an animated TV series, you should attend this webinar to be streamed on YouTube Live on Saturday, 4 November to registered delegates. You'll learn insights that Triggerfish gained over the last 2 years while developing TV series with Disney’s support, resulting in 2 worldwide distribution deals to date....
Your idea could be the next African TV series to be produced and distributed internationally. You’ll get insights into what international distributors are looking for when they review projects. You’ll also learn directly from creators who have just been through this process and have signed distribution deals for their shows. And you'll get a chance to ask questions via Facebook & Twitter.
If you happen to be in Joburg, South Africa check out the
FUPITOONS Festival supported by Africa Animation Network, and the Gauteng Film Commission the festival will run in Johannesburg between the 26th - 29th October. The selection of animations screening are from all over the continent and aimed at children. See the final list they announced below:
FupiToons Final Selection:Gyrow (Nigeria) Machismo - The Substance (Kenya) Is that believable? (Egypt) Please Frog, just one sip (South Africa) Snow (South Africa) Way Better (South Africa) Jabu's Jungle - Warthog (South Africa) Becca & Bongani EP2 (South Africa) The Parlotones - Stay A While, (South Africa) Orisha's Journey (Ghana) Crocodile River (South Africa) Crumbs (South Africa) Doodle Duo (Imagination Studios) Llama Drama (Imagination Studios) Smarter Phones (Imagination Studios) The Great Escape (Imagination Studios) Hatch (South Africa) Monday Man EP1 - Seat Belted (South Africa) Monday Man EP2 - Tapped out! (South Africa) TheWoods - MaJozi Music Video (South Africa) Bun & Bunee - A collection of 60 second shorts (South Africa )
It was great to come across this blog on African animation reviewing the Lola and Chuchu animation made by AnthillStudios from Lagos, Nigeria. The blog has a good number of entries on different animation from the continent and is another contribution to the much needed voice of African animation.
I research sub-Saharan African animation and completed a PHD for SOAS, University of London in this field - this is an area of interest that I have been looking at since 2003.. I moved to the UK in 2001 from Malta, where I was working in animated graphics at a television station. I then completed a Masters in Computer Animation at the NCCA Bournemouth Uni where I currently lecture as a Senior Academic. I completed a Masters in Anthropology of Media at SOAS, London in 2004 - focusing on discourses of identity in Post-Apartheid South African Animation